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Beyerdynamic TG D58C Condenser Clip-On Microphone
Beyerdynamic TG D58C Condenser Clip-On Microphone Overview:
The practical advantages of the patented microphone clamp on the TG D58 condenser microphone are immediately apparent whether when using with rack toms, snare drums or percussion instruments: the microphone can be mounted and positioned quickly and securely.
The balanced frequency response also makes it immediately ready for use. Pre-amplifiers are a thing of the past due to the integrated pre-amplifiers with downward-facing standard XLR connections. Its ability to operate at high levels compared to the previous model Opus 88 should also be mentioned, as is the newly designed, low-resonance housing, the elastic capsule suspension, the improved signal-to-noise ratio and technical values that remain valid even with phantom powering below 44 volts.
Sound Channeling Technology:
Features:
The practical advantages of the patented microphone clamp on the TG D58 condenser microphone are immediately apparent whether when using with rack toms, snare drums or percussion instruments: the microphone can be mounted and positioned quickly and securely.
The balanced frequency response also makes it immediately ready for use. Pre-amplifiers are a thing of the past due to the integrated pre-amplifiers with downward-facing standard XLR connections. Its ability to operate at high levels compared to the previous model Opus 88 should also be mentioned, as is the newly designed, low-resonance housing, the elastic capsule suspension, the improved signal-to-noise ratio and technical values that remain valid even with phantom powering below 44 volts.
Sound Channeling Technology:
- Optimally positioned treble resonator for optimised high-frequency reproduction
- 2nd treble resonator within the system
- Special sound holes for a frequencyindependent polar pattern
Features:
- Short, flexible gooseneck with horizontal swivel joint for optimum positioning
- Rugged construction with rubber shock-mounted microphone capsule
- Patented microphone clamp with integrated pre-amp and XLR connection
- No disturbing cable between microphone head and pre-amp
- Cardioid polar pattern for high-gain-before feedback
- Wide transmission range
- Phantom powering 11 - 52 V
- Transducer type: Condenser (back electret)
- Operating principle: Pressure gradient
- Polar pattern: Cardioid
- Frequency response
- Close miking: 20 - 20,000 Hz
- Distant miking (measured at 1 m): 35 - 20,000 Hz
- Open circuit voltage: 5 mV/Pa (-46 dBV) ±2.5 dB
- Nominal impedance: 200 Ω
- Load impedance: ≥ 1 kΩ
- Max. SPL
- at 24 V and 48 V phantom power: 140 dB
- S/N ratio: 59 dB [CCIR; Q-Peak], 70 dB [A; RMS]
- Equivalent SPL: 35 dB [CCIR; Q-Peak], 24 dB [A; RMS]
- Power supply: Phantom power: 12 - 48 V (recommended: 48 V)
- Power consumption: 4.7 mA
- Connection : 3-pin XLR, male
- Dimensions
- Clamp (W x H): 85 x 118 mm
- Gooseneck length: 20 mm
- Weight: Approx. 140 g
$22,282.00
Beyerdynamic TG D58C Condenser Clip-On Microphone—
$22,282.00
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Beyerdynamic TG D58C Condenser Clip-On Microphone Overview:
The practical advantages of the patented microphone clamp on the TG D58 condenser microphone are immediately apparent whether when using with rack toms, snare drums or percussion instruments: the microphone can be mounted and positioned quickly and securely.
The balanced frequency response also makes it immediately ready for use. Pre-amplifiers are a thing of the past due to the integrated pre-amplifiers with downward-facing standard XLR connections. Its ability to operate at high levels compared to the previous model Opus 88 should also be mentioned, as is the newly designed, low-resonance housing, the elastic capsule suspension, the improved signal-to-noise ratio and technical values that remain valid even with phantom powering below 44 volts.
Sound Channeling Technology:
Features:
The practical advantages of the patented microphone clamp on the TG D58 condenser microphone are immediately apparent whether when using with rack toms, snare drums or percussion instruments: the microphone can be mounted and positioned quickly and securely.
The balanced frequency response also makes it immediately ready for use. Pre-amplifiers are a thing of the past due to the integrated pre-amplifiers with downward-facing standard XLR connections. Its ability to operate at high levels compared to the previous model Opus 88 should also be mentioned, as is the newly designed, low-resonance housing, the elastic capsule suspension, the improved signal-to-noise ratio and technical values that remain valid even with phantom powering below 44 volts.
Sound Channeling Technology:
- Optimally positioned treble resonator for optimised high-frequency reproduction
- 2nd treble resonator within the system
- Special sound holes for a frequencyindependent polar pattern
Features:
- Short, flexible gooseneck with horizontal swivel joint for optimum positioning
- Rugged construction with rubber shock-mounted microphone capsule
- Patented microphone clamp with integrated pre-amp and XLR connection
- No disturbing cable between microphone head and pre-amp
- Cardioid polar pattern for high-gain-before feedback
- Wide transmission range
- Phantom powering 11 - 52 V
- Transducer type: Condenser (back electret)
- Operating principle: Pressure gradient
- Polar pattern: Cardioid
- Frequency response
- Close miking: 20 - 20,000 Hz
- Distant miking (measured at 1 m): 35 - 20,000 Hz
- Open circuit voltage: 5 mV/Pa (-46 dBV) ±2.5 dB
- Nominal impedance: 200 Ω
- Load impedance: ≥ 1 kΩ
- Max. SPL
- at 24 V and 48 V phantom power: 140 dB
- S/N ratio: 59 dB [CCIR; Q-Peak], 70 dB [A; RMS]
- Equivalent SPL: 35 dB [CCIR; Q-Peak], 24 dB [A; RMS]
- Power supply: Phantom power: 12 - 48 V (recommended: 48 V)
- Power consumption: 4.7 mA
- Connection : 3-pin XLR, male
- Dimensions
- Clamp (W x H): 85 x 118 mm
- Gooseneck length: 20 mm
- Weight: Approx. 140 g
