NUGEN Mastercheck UPG: Upgrade to NUGEN Mastercheck â Professional Audio Software & Plugin

NUGEN Mastercheck UPG: Upgrade to NUGEN Mastercheck â Professional Audio Software & Plugin
List:
- Ogg Vorbis
- FLAC
- Opus
- AAC-LC
- HE-AACv1 (AAC+)
- HE-AACv2 (DAB+)
- MP3
Reference & comparison
Via the 'External ref' function MasterCheck allows you to A/B with reference material in order to check differences in loudness PLR and True Peak measurements. If you wish you can use 'Offset to match' to match the loudness for a direct comparison. 'Offset to match' can also be used to remove loudness from an FX chain. This can be useful for evaluating the impact of signal processing without being influenced by the 'feel good factor' of increased loudness.Flexible workflow
With a resizable interface and many user configurable options MasterCheck can easily be adjusted to suit any situation. Dynamic colour splits for PLR can be set to indicate desirable ranges and meter splits can be easily set to show 'safe zones' which indicate inter-sample peaks and so on.For mastering
Playout services essentially have a âletter boxâ through which they deliver your audio; if it doesnât slide through then the service will force it to fit. A super-loud master might win the loudness war on CD but will simply be turned down on any major streaming service. This leaves valuable headroom which you could have used for transient detail and punch. It is important to be aware of how True Peak clipping can cause downstream distortion in encoded audio. Heavy compression will result in audible 'fizzing' and loss of stereo definition especially with lower quality codecs.For mixing
The most popular streaming platforms now only differ by 3 LU between the loudest and quietest target for normalisation. Clearly there is no benefit in mixing louder than the loudest platform at which point all platforms will be turning down your audio. Much of this is primarily a concern for the mastering engineer but if you over-compress a mix then the mastering engineer has nowhere to go. If you compress above a platform's target level transients lost cannot be regained at a later stage. Try using MasterCheck to audition at the service playout level to hear your mix in context.Features:
- Measuring integrated loudness
- Monitoring PLR and PSR to avoid over-compression
- Identifying codec distortion and tweaking to compensate
- A/B referencing at matched loudness
- Preparing mix dynamics for mastering
- Mastering for digital music services
- Measuring dynamic content
- Avoiding downstream clipping
- Auditioning loudness matched FX chains
- Mastering for podcasts and digital radio
Requirements:
| Platform | CPU | RAM | Disk | Notes | Additional Requirement | Audio Card | Ports | Internet Required | 32 Bit Support | 64 Bit Support | Plugins |
| mac | 1 | 0 | 0 | 0 | 0 | VST-3 AU AAX | |||||
| windows | 1 | 0 | 0 | 0 | 0 | VST-3 AAX |
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
List:
- Ogg Vorbis
- FLAC
- Opus
- AAC-LC
- HE-AACv1 (AAC+)
- HE-AACv2 (DAB+)
- MP3
Reference & comparison
Via the 'External ref' function MasterCheck allows you to A/B with reference material in order to check differences in loudness PLR and True Peak measurements. If you wish you can use 'Offset to match' to match the loudness for a direct comparison. 'Offset to match' can also be used to remove loudness from an FX chain. This can be useful for evaluating the impact of signal processing without being influenced by the 'feel good factor' of increased loudness.Flexible workflow
With a resizable interface and many user configurable options MasterCheck can easily be adjusted to suit any situation. Dynamic colour splits for PLR can be set to indicate desirable ranges and meter splits can be easily set to show 'safe zones' which indicate inter-sample peaks and so on.For mastering
Playout services essentially have a âletter boxâ through which they deliver your audio; if it doesnât slide through then the service will force it to fit. A super-loud master might win the loudness war on CD but will simply be turned down on any major streaming service. This leaves valuable headroom which you could have used for transient detail and punch. It is important to be aware of how True Peak clipping can cause downstream distortion in encoded audio. Heavy compression will result in audible 'fizzing' and loss of stereo definition especially with lower quality codecs.For mixing
The most popular streaming platforms now only differ by 3 LU between the loudest and quietest target for normalisation. Clearly there is no benefit in mixing louder than the loudest platform at which point all platforms will be turning down your audio. Much of this is primarily a concern for the mastering engineer but if you over-compress a mix then the mastering engineer has nowhere to go. If you compress above a platform's target level transients lost cannot be regained at a later stage. Try using MasterCheck to audition at the service playout level to hear your mix in context.Features:
- Measuring integrated loudness
- Monitoring PLR and PSR to avoid over-compression
- Identifying codec distortion and tweaking to compensate
- A/B referencing at matched loudness
- Preparing mix dynamics for mastering
- Mastering for digital music services
- Measuring dynamic content
- Avoiding downstream clipping
- Auditioning loudness matched FX chains
- Mastering for podcasts and digital radio
Requirements:
| Platform | CPU | RAM | Disk | Notes | Additional Requirement | Audio Card | Ports | Internet Required | 32 Bit Support | 64 Bit Support | Plugins |
| mac | 1 | 0 | 0 | 0 | 0 | VST-3 AU AAX | |||||
| windows | 1 | 0 | 0 | 0 | 0 | VST-3 AAX |














